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Invoking
the Context of Christianity
This
enriching of the here-and-now, and the
consequent ontological clarification of
the participants in the demonstration,
advances further as a new context-that of
Christianity-is invoked. This time it is
Laing who makes the reference that invokes
the context, and Leila who pursues it.
This first reference to an element of
Christianity occurs almost in passing in
the transcript at line 213, when Laing
responds to a fatalistic comment from
Leila about the "universal mind" -"If it's
capable of doing anything" (212)-by
saying:
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213
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T:
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Auh auh Well,
Jesus Christ has got no other hands
but
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214
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ours.
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215
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L:
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Oh.
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216
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T:
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It's only capable
of doing what we do, I mean, as far as
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217
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(.) we're
concerned
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Leila
seeks clarification, and Laing responds
once more by offering what is, for a
therapist, unusual self-disclosure:
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218
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L:
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Are you a Christian?
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219
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T:
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Well, that depends who I'm talking to
[laughs]=
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220
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L:
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Well, just tell me that=
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221
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T:
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If I'm talking to you?Well, ah I'm not
sure what I
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222
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should say about that eh, it ja ah I'm
a Christian in
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223
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the sense that Jesus Christ wasn't eh
crucified isn't
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224
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wasn't crucified between two
candlesticks in a
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225
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cathedral, he was crucified in the town
garbage heap
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226
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between two thieves, in that sense I'm
a Christian.
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230
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But I mean in another in
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231
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another sense I mean I I wouldn't admit
to being eh a
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232
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Christian in most Christian company.
Why, are you a
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233
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Christian?
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234
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L:
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Hell no!
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235
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T:
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Eah eah?
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236
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L:
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I don't think so as I think, I think
God doesn't know
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237
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what he's doing, so um, [sighs]
who knows maybe
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238
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Jesus maybe Jesus had a mental problem.
You know.
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The
context of Christianity again gives Laing and Leila
common ground upon which to stand and talk. Within
this context they both position themselves as
radical Christians, opposed to the hypocrisy and
pretensions of the tradition. At lines 221-226
Laing offers a narrative of the crucifixion that
portrays Christianity as rooted in and amongst the
cast-offs of society, in the garbage heap, with the
thieves. Likewise, Leila's "Hell no!" (234) and
then "maybe Jesus had a mental problem" (236-8)
also reject a traditional Christianity, as she
adopts a position aligned with Laing's.
Invoking
the Context of Family
The
final context that plays an important part in this
conversation is invoked in a rather more
conventional manner, as Laing f asks Leila about
her parents. Line 285 includes a marked shift in
the topic of conversation:
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284
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T:
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[Laughter in
background] They are laughing. That
got
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285
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a laugh
[laughing and coughing] (5). What
'bout
your
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286
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em mom and dad an
that sort of thing, what sort of
(.)
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287
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are they alive,
eh?
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The
audience has laughed at a comment Leila
just made, seemingly at Laing's expense
and he, in 284, remarks on their laughter.
Leila falls silent, not replying,
apparently self-conscious. Laing
self-selects and changes the topic by
inquiring after her parents. In doing this
he invokes the context of family for the
first time, and we shall see that this
context serves as an operative background
for the remainder of the conversation.
This
topic shift is not unexpected, given the
importance -therapy generally attaches to
a client's family relationships, and given
the particular role Laing has described
the family playing in the genesis of
psychopathology, especially schizophrenia
(e.g., Laing & Esterson, 1964). But
the use to which this context is, put is
somewhat unusual.
Laing
begins with a question that is broad in
scope, repairing it half way through to
insert a presequence ("are they alive?")
to which Leila, after seeking
clarification ("Who my parents?") responds
in the affirmative. Laing then asks her to
characterize her father:
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291
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T:
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What sort of chap
was your father, is your
father?
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292
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Oh well ah eh
he's a Christian preacher.
Yes.
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293
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Oh, I ought to
have known.
[laughs]
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294
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Yeah, my parents
are very religious. At least, they say
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295
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they are.
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296
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Well you're very religious.
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297
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You know my, yeah I guess I am.
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The
way Leila chooses to describe the "sort of
chap" her father is re-invokes the
Christian context: "Oh, well as eh he's a
Christian preacher" (291). We glimpse for
the first time that Leila's biography, her
personal history, is one in which the
context of family and that of Christianity
must have been closely linked. When one is
born the daughter of a Christian preacher,
it must be difficult to distinguish family
from Christianity, to separate being a
good daughter from being a good Christian.
And indeed, Laing responds with a
newsmark: "Oh, I should have known!" that
implies that a connection has become
visible. He gives no explicit indication
of what it is he "should have known," but
it will be parsimonious if we presume that
what surprises him is the same thing that
we see for the first time here. This
interlinking of Christianity and family
would surely strike any clinician as
worthy of note, and on this interpretation
the force of Laing's utterance is that
features of their prior talk gibe with
this new information. What we, and he,
learn now about Leila's father requires a
retrospective reevaluation of the earlier
exchange about Christianity, and suggests
a linkage between these two
contexts--Christianity and family--that
any therapist would find pregnant with
possibilities. But how to act on these
possibilities?
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